“Leda and the Swan” is one of Yeats’s several “Annunciation” poems. In fact the original version of the poem, published in 1924 was called “Annunciation.” In the Christian tradition, the Annunciation is the announcement by the archangel Gabriel to the Virgin Mary that she would have a child by the Holy Spirit. The Holy Spirit in the form of a dove descended upon Mary and fulfilled the angel’s words. The result of this union between the divine and human was Jesus Christ, whose birth signaled the destruction of an old order and ushered in a new age and a Christian civilization. In “Leda and the Swan,” Yeats describes an annunciation of a quite different type as the god Zeus, also in the form of a bird, descends upon Leda and impregnates her with Helen, who will be the cause of the destruction of Greek civilization and give rise to a new modern era. Yeats thus sees the rape of Leda by Zeus as an event parallel to the annunciation to the Virgin Mary. The children of Mary and Leda changed the world, and the moment of their conception is a pivotal moment for the universe. For Yeats, the annunciation is a moment in which the supernatural energy of a god is mingled with the human to revitalize a declining civilization.
In “Leda and the Swan,” as with Yeats’s other annunciation poems such as “The Magi,” “Two Songs from a Play,” “The Mother of God,” and “The Second Coming,” the violence and terror of the union of god and human is stressed. Yeats implies that any union of human and divine must be a horrifying experience. However, he thinks that there is a possibility that in that moment of merging, the mortal may attain supernatural or transcendent insight. Thus the speaker at the end of the poem asks if Leda, as she is mastered by the “brute blood of the air,” gains through her experience some form of divine knowledge and divine power.
Sunday, December 27, 2009
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